
First, let me apologize if I throw out a few spoilers for those who haven’t seen it. Like a woman trying to explain why she’s mad at you, I will do my best to be as vague as possible with the details.
I was completely hyped to see this movie. I’ve been watching the teasers, the trailers, the posters, the internet chatter, and the back-alley “making of” videos for almost two years now. I bought my midnight show tickets almost two months ago. As a matter of fact, I was so hyped to see The Dark Knight that I was a bit worried that I’d be disappointed that it didn’t live up to the movie in my head – much like Spider-Man 3 and Nude Nurses 2. But that isn’t the case. I love this movie, all two-and-a-half hours of it.

If you could see Batman's voice, this is what it would look like.
I am totally impressed with the writing; overall the focus of the movie is right were it needs to be: on Batman. All the reviews, opinions, and trailers have focused on The Joker even though this movie is called The Dark Knight. Batman/Bruce Wayne is phenomenal. Christian Bale knocks the role out of the park; his only flaw – in my opinion – is his Batman voice, which is a little too raspy and lame and sounds a little too much like an evil mustache-wearing (not mustache-ride-wearing, you sick bastard) Hannah-Barbara cartoon villain.
The central theme of the movie concerns Batman’s role in Gotham City (is he the symbol of peace? Is he the symbol of justice? Is he simply a vigilante? Is he what Gotham needs? Is he what Gotham deserves?) and Bruce Wayne’s attempt to become independent from Batman (where does Batman stop and Wayne begin? Does Batman need Wayne or is it the other way around?). This reminds me a lot of Spider-Man 2 where the title superhero tries to give up superheroing in order to live a normal life; in the end the non-super identity must embrace his super counterpart. Once this is done – for the sake of the city, of course – the character finds that he cannot separate the two halves of his personality (Two-Face is not only a villain, he’s a metaphor!). He must take the good with the bad.
Now for the obligatory Heath Ledger paragraph: The Joker is completely AWESOME! It was captivating to see him play an unpredictable, twisted, scary, and at times very funny role. Many critics and fanboys out there want to say his performance is Oscar-worthy, to which I say “not so much.” As much as I really really like what he did with the part, I don’t see him being worthy of the honor. It is obviously sad to see that Heath Ledger isn’t around to talk about the role that he made his own (or for him to appear in the obvious sequel that was planned).

To say the least, I was very skeptical of Ledger playing the role of my favorite villain because Jack Nicolson’s was what the The Joker is all about. When watching the trailers, all I could think about Ledger was his campy high school role in 10 Things I Hate About You. To my surprise, Ledger gave the role a more realistic twist on what The Joker should be: a self-righteous lunatic without a care for humanity. I am also impressed at how Christopher Nolan made The Joker funny. Several times in the movie the audience and I were laughing from The Joker’s actions. That really surprised me because all the pictures and scenes from the movie made him seem really dark and scary with the smeared makeup, scars on the face, and wild flowing hair, but in the end he made everybody in the theater laugh harder than Dane Cook (which, now that I think about it, isn’t that hard. That fucker’s not funny at all).

The last character to warrant a paragraph is Harvey Dent (Aaron Eckhart from the terrific Thank You For Smoking). Overall, I liked Eckhart’s acting, although a lot of the credit has to go to the writing. The Nolan brothers did a fantastic job of writing a larger role for Harvey Dent in which you see the character become a powerful force in Gotham City. If you compare this to other Batman directors, Tim Burton and Joel Shoemaker, this Harvey Dent actually has dimensions. In previous movies, Dent (Billie Dee Williams in the Burton films and Tommy Lee Jones in the Shumaker “films”) was a prop; he was a cartoon that said a few throwaway lines where we understood he used to be a good guy, but now he’s bad. In The Dark Knight, we see Harvey Dent’s rise to power as the District Attorney in Gotham City fighting the mobsters and making a name for himself. Once his physical features are deformed, he doesn’t instantly turn into Two-Face like he does in the other films (and in the various animated series). We see him falling from grace, a twisted version of his former self, transformed both inadvertently and purposefully by The Joker.
I guess I knew I was going to see Two-Face from various internet sources, but I thought it would be a role they would establish in the third movie and show just a peek of him at the end of this one (much like The Joker card at the end of Batman Begins).
One of the things that makes this movie great is the fact that not one line is wasted. Every character who speaks does a terrific, convincing, and necessary job. You have Gary Roberts and the guy who played Spawn as mob lords, you have Anthony Michael Hall as a TV anchor, and of course Morgan Freeman and Micheal Caine as Lucius Fox and Alfred the butler, respectively, reprise their roles.

One of the MANY posters created for this behemoth of a movie.
With The Dark Knight, for the first time I can watch a Batman movie with tons of action, drama, comedy, and plot twists without having to dive into the all-too-familiar back story of Bruce Wayne. I can watch a movie that challenges Batman’s role in Gotham City despite all the ugliness that Gotham provides. The Dark Knight focuses on classic “good vs. evil” motifs on many different levels while simultaneously leaving you on the edge of your seat. Now, don’t get me wrong, it’s not a masterpiece as far as film history goes, but compared to other superhero movies, it is a classic. It belongs up there with Spider-Man 2, X-2 and Iron Man as one of the best comic book movies around. It doesn’t pawn off of cheesy lines and obvious plots.
Christopher Nolan can direct a helluva Batman movie. Flat out.